Artist Statement
2
Artist Statement
2
Artist Statement
2
LIN ZHU
LIN ZHU
LIN ZHU
My work is to explore the relationship between people and plants with plants as the carrier. In my life, there has always been the shadow of plants, such as the garden in my childhood memory home, I will collect plants mixed with books, as well as the education of Chinese culture from childhood and so on. I started to formally create plants in 2014, mainly focusing on painting. After coming to London, I subjectively began to have a variety of media attempts. I tried to make some new breakthroughs and attempts in materials, and I began to be more interested in using collage and sculpture to express this theme. In the first unit, I made some small collages and models about the garden. In my opinion, people can't leave the city, but they need a spiritual sustenance. The garden of the city becomes the habitat of the spirit.
I will be in unit 2, I will be specific to the relationship between people and plants in the indoor environment. The relationship between human beings and family plants is a relationship of dependence and care. Plants can arouse a kind of sympathy. In terms of materials, I chose cloth collage. As described by Magdalena Abakanowicz, a Polish Artist: "fabric is our covering and our attire. Made with our hands, it is a record of our souls.". This kind of temperature is also what I like to convey to the audience. People and plants are interdependent, and plants can comfort people's hearts.
My work is to explore the relationship between people and plants with plants as the carrier. In my life, there has always been the shadow of plants, such as the garden in my childhood memory home, I will collect plants mixed with books, as well as the education of Chinese culture from childhood and so on. I started to formally create plants in 2014, mainly focusing on painting. After coming to London, I subjectively began to have a variety of media attempts. I tried to make some new breakthroughs and attempts in materials, and I began to be more interested in using collage and sculpture to express this theme. In the first unit, I made some small collages and models about the garden. In my opinion, people can't leave the city, but they need a spiritual sustenance. The garden of the city becomes the habitat of the spirit.
I will be in unit 2, I will be specific to the relationship between people and plants in the indoor environment. The relationship between human beings and family plants is a relationship of dependence and care. Plants can arouse a kind of sympathy. In terms of materials, I chose cloth collage. As described by Magdalena Abakanowicz, a Polish Artist: "fabric is our covering and our attire. Made with our hands, it is a record of our souls.". This kind of temperature is also what I like to convey to the audience. People and plants are interdependent, and plants can comfort people's hearts.
My work is to explore the relationship between people and plants with plants as the carrier. In my life, there has always been the shadow of plants, such as the garden in my childhood memory home, I will collect plants mixed with books, as well as the education of Chinese culture from childhood and so on. I started to formally create plants in 2014, mainly focusing on painting. After coming to London, I subjectively began to have a variety of media attempts. I tried to make some new breakthroughs and attempts in materials, and I began to be more interested in using collage and sculpture to express this theme. In the first unit, I made some small collages and models about the garden. In my opinion, people can't leave the city, but they need a spiritual sustenance. The garden of the city becomes the habitat of the spirit.
I will be in unit 2, I will be specific to the relationship between people and plants in the indoor environment. The relationship between human beings and family plants is a relationship of dependence and care. Plants can arouse a kind of sympathy. In terms of materials, I chose cloth collage. As described by Magdalena Abakanowicz, a Polish Artist: "fabric is our covering and our attire. Made with our hands, it is a record of our souls.". This kind of temperature is also what I like to convey to the audience. People and plants are interdependent, and plants can comfort people's hearts.
Artist Statement
Artist Statement
Artist Statement
My work is to explore the relationship between people and plants with plants as the carrier. In my life, there has always been the shadow of plants, such as the garden in my childhood memory home, I will collect plants mixed with books, as well as the education of Chinese culture from childhood and so on. I started to formally create plants in 2014, mainly focusing on painting. After coming to London, I subjectively began to have a variety of media attempts. I tried to make some new breakthroughs and attempts in materials, and I began to be more interested in using collage and sculpture to express this theme. In the first unit, I made some small collages and models about the garden. In my opinion, people can't leave the city, but they need a spiritual sustenance. The garden of the city becomes the habitat of the spirit.
I will be in unit 2, I will be specific to the relationship between people and plants in the indoor environment. The relationship between human beings and family plants is a relationship of dependence and care. Plants can arouse a kind of sympathy. In terms of materials, I chose cloth collage. As described by Magdalena Abakanowicz, a Polish Artist: "fabric is our covering and our attire. Made with our hands, it is a record of our souls.". This kind of temperature is also what I like to convey to the audience. People and plants are interdependent, and plants can comfort people's hearts.
My work is to explore the relationship between people and plants with plants as the carrier. In my life, there has always been the shadow of plants, such as the garden in my childhood memory home, I will collect plants mixed with books, as well as the education of Chinese culture from childhood and so on. I started to formally create plants in 2014, mainly focusing on painting. After coming to London, I subjectively began to have a variety of media attempts. I tried to make some new breakthroughs and attempts in materials, and I began to be more interested in using collage and sculpture to express this theme. In the first unit, I made some small collages and models about the garden. In my opinion, people can't leave the city, but they need a spiritual sustenance. The garden of the city becomes the habitat of the spirit.
I will be in unit 2, I will be specific to the relationship between people and plants in the indoor environment. The relationship between human beings and family plants is a relationship of dependence and care. Plants can arouse a kind of sympathy. In terms of materials, I chose cloth collage. As described by Magdalena Abakanowicz, a Polish Artist: "fabric is our covering and our attire. Made with our hands, it is a record of our souls.". This kind of temperature is also what I like to convey to the audience. People and plants are interdependent, and plants can comfort people's hearts.
My work is to explore the relationship between people and plants with plants as the carrier. In my life, there has always been the shadow of plants, such as the garden in my childhood memory home, I will collect plants mixed with books, as well as the education of Chinese culture from childhood and so on. I started to formally create plants in 2014, mainly focusing on painting. After coming to London, I subjectively began to have a variety of media attempts. I tried to make some new breakthroughs and attempts in materials, and I began to be more interested in using collage and sculpture to express this theme. In the first unit, I made some small collages and models about the garden. In my opinion, people can't leave the city, but they need a spiritual sustenance. The garden of the city becomes the habitat of the spirit.
I will be in unit 2, I will be specific to the relationship between people and plants in the indoor environment. The relationship between human beings and family plants is a relationship of dependence and care. Plants can arouse a kind of sympathy. In terms of materials, I chose cloth collage. As described by Magdalena Abakanowicz, a Polish Artist: "fabric is our covering and our attire. Made with our hands, it is a record of our souls.". This kind of temperature is also what I like to convey to the audience. People and plants are interdependent, and plants can comfort people's hearts.
Education
·MA-Fine Arts: Painting,UAL : Camberwell College of Arts, UK
·MA-Oil Painting,Capital Normal University, China
·BA-Art&Design,Beijing University of Technology, China
work Experience
Art Teacher, Chen Jinglun Middle School, Beijing
exhibitions
Solo
Personal Exhibition of Zhu Lin`s Oil Painting, Joy City of Chaoyang , Beijing, China, 2017
“Colorful World” , Song Yang Art Gallery, Beijing, China, 2016
Zhu Lin photography exhibition, Beijing University of technology, Beijing, China, 2011
Group
“Distance to No. 2 Ganjiang West Road”: International Art Exhibition, Suzhou, China, 2019
“Back to The Perceptual” Cross-year Exhibition of Contemporary Art, Hangzhou, China, 2018
“Focus on China”: French Exhibition of Contemporary Artworks, France, Mar 2017
“Blooming space”: Invitational Exhibition, Ishikawa Gallery, Japan, 2017
Beijing Summer Exhibition 17, Enlai Art Gallery, Beijing, China, 2017
“Under the reality”: Young Joint Exhibition, Times Fangyuan Gallery, Beijing, China, 2017
“Hi Art” :New Art Fair, Liang Maqiao Residence, Beijing, China, 2017
Publication
Two Worlds: Diary of mobile phone photography, Jiangsu Phoenix Publisher, 2018
Awards
The Sixth Diary Painting of Chaoyang District, The First Prize, 2018
23rd National Calligraphy Painting Competition, The First Prize, 2018
Outstanding Student Scholarship at Beijing Capital Normal University, The First Class, 2015
Outstanding Student Scholarship at Beijing University of technology, The First Class, 2011
Education
·MA-Fine Arts: Painting,UAL : Camberwell College of Arts, UK
·MA-Oil Painting,Capital Normal University, China
·BA-Art&Design,Beijing University of Technology, China
work Experience
Art Teacher, Chen Jinglun Middle School, Beijing
exhibitions
Solo
Personal Exhibition of Zhu Lin`s Oil Painting, Joy City of Chaoyang , Beijing, China, 2017
“Colorful World” , Song Yang Art Gallery, Beijing, China, 2016
Zhu Lin photography exhibition, Beijing University of technology, Beijing, China, 2011
Group
“Distance to No. 2 Ganjiang West Road”: International Art Exhibition, Suzhou, China, 2019
“Back to The Perceptual” Cross-year Exhibition of Contemporary Art, Hangzhou, China, 2018
“Focus on China”: French Exhibition of Contemporary Artworks, France, Mar 2017
“Blooming space”: Invitational Exhibition, Ishikawa Gallery, Japan, 2017
Beijing Summer Exhibition 17, Enlai Art Gallery, Beijing, China, 2017
“Under the reality”: Young Joint Exhibition, Times Fangyuan Gallery, Beijing, China, 2017
“Hi Art” :New Art Fair, Liang Maqiao Residence, Beijing, China, 2017
Publication
Two Worlds: Diary of mobile phone photography, Jiangsu Phoenix Publisher, 2018
Awards
The Sixth Diary Painting of Chaoyang District, The First Prize, 2018
23rd National Calligraphy Painting Competition, The First Prize, 2018
Outstanding Student Scholarship at Beijing Capital Normal University, The First Class, 2015
Outstanding Student Scholarship at Beijing University of technology, The First Class, 2011
Education
·MA-Fine Arts: Painting,UAL : Camberwell College of Arts, UK
·MA-Oil Painting,Capital Normal University, China
·BA-Art&Design,Beijing University of Technology, China
work Experience
Art Teacher, Chen Jinglun Middle School, Beijing
exhibitions
Solo
Personal Exhibition of Zhu Lin`s Oil Painting, Joy City of Chaoyang , Beijing, China, 2017
“Colorful World” , Song Yang Art Gallery, Beijing, China, 2016
Zhu Lin photography exhibition, Beijing University of technology, Beijing, China, 2011
Group
“Distance to No. 2 Ganjiang West Road”: International Art Exhibition, Suzhou, China, 2019
“Back to The Perceptual” Cross-year Exhibition of Contemporary Art, Hangzhou, China, 2018
“Focus on China”: French Exhibition of Contemporary Artworks, France, Mar 2017
“Blooming space”: Invitational Exhibition, Ishikawa Gallery, Japan, 2017
Beijing Summer Exhibition 17, Enlai Art Gallery, Beijing, China, 2017
“Under the reality”: Young Joint Exhibition, Times Fangyuan Gallery, Beijing, China, 2017
“Hi Art” :New Art Fair, Liang Maqiao Residence, Beijing, China, 2017
Publication
Two Worlds: Diary of mobile phone photography, Jiangsu Phoenix Publisher, 2018
Awards
The Sixth Diary Painting of Chaoyang District, The First Prize, 2018
23rd National Calligraphy Painting Competition, The First Prize, 2018
Outstanding Student Scholarship at Beijing Capital Normal University, The First Class, 2015
Outstanding Student Scholarship at Beijing University of technology, The First Class, 2011
UNIT 2
Which one is true?
Which one is true?,190cmX70cm,Mixed media, 2020
About
In this work, the theme is also a abstract plant. I pay more attention to the interpretation of the works in different scenes. When I hung them on the tree trunks of plants, they were obviously out of place with real plants. Then, this kind of disharmony can give the audience a space to think, just like the title: which one is real. The artificial plants, though abrupt, seem to be the product of the process of human industrialization.When the work is combined with the sofa in the life scene, it is more like an intruder wrapping the sofa.